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Untitled, Art, Miami Beach – Booth C11

For the fifth edition of Untitled, Art, Miami Beach, BERG Contemporary will exhibit works by pioneering video artists Steina and Woody Vasulka. Through important video and print work the presentation will cast a light on the couple’s extensive career and explorations of the malleability of the image, the manipulation of electronic energy and the interrelation of sound and image.

With the gallery participating for the very first time, located at C11 within the space, the 2016 edition will be the largest to date and offer visitors a new and exciting dialogue between fresh discoveries and influential historical artists, as well as diverse presentations of technology-based works.

Untitled, Miami Beach will take place on the beach at Ocean Drive and 12th Street from November 30 – December 4, 2016.

 


In other news

Recorder chosen for Loop Barcelona Critics’ Pick

Recorder (2010) by Sigurður Guðjónsson was recently chosen as one of blinkvideo’s Critics’ Pick of Loop Barcelona 2018. The critics Nicole Büsing and Heiko Klaas included Recorder in their selection of the highlights of the art fair which took place in November of last year. „The video work “Recorder”, created in 2010 by the Icelandic artist Sigurður

Violin Power by Steina exhibited in Hafnarborg

Violin Power (1969-1978) one of Steina’s key works, will be exhibited in Hafnarborg – the Hafnarfjörður Centre of Culture at the exhibition Phonemes – Exhibiting Music which opens tomorrow, Saturday January 26th at 3 pm. „The exhibition highlights music and art, which augments our perception, as well as affecting our listening and altering our relation to sound in

Finnbogi Pétursson opens Infra-Supra in Western Gallery

The exhibition Infra-Supra by Finnbogi Pétursson opens today in Western Gallery, WA. The exhibition consists of Finnbogi Pétursson’s large scale sound-modulated water installation Infra-Supra which has been exhibited in various formats in different venues over the past few years including Wood Street Galleries in Pittsburgh (2014) and Art Wuzhen in Wuchen, China (2016). „In Infra-Supra, Finnbogi Pétursson uses