BERG Contemporary featured by Whitehot magazine and Artsy
BERG Contemporary has been actively taking part in Miami Art week at Untitled, Miami Beach, over the past days and is pleased to be featured by Whitehot Magazine and Artsy in relation to the fair.
As written by Artsy;
„For its fifth edition, UNTITLED returns to its perch on the sandy shores of South Beach with a tightly curated presentation organized by the fair’s artistic director, Omar López-Chahoud, along with curators Christophe Boutin and Melanie Scarciglia. True to form, the light-filled tent will teem with roomy booths from an international group of galleries and nonprofits hailing from some 20 countries, all bringing primarily new work by a diverse range of artists, including pioneers of the avant-garde and on-the-rise MFA grads.
We have our eye on Reykjavík gallery BERG Contemporary and their booth devoted to 1970s glitch-video innovators Steina and Woody Vasulka—in particular, their influential 1974 video Noisefields, a copy of which is also housed in MoMA’s collection.“
To read the full coverage, click here and here.
Woody Vasulka, Waveform Studies XXVIII, 1977-2003 at Untitled.
In other news
Kees Visser at Neskirkja Church
On Sunday 18th of February will open an exhibition in Neskirkja Church of a series of 14 paintings by KEES VISSER, CRUX. The opening takes place directly after mass which begins at 11. Alongside the exhibition, BERG Contemporary will have on display sketches in direct correlation to the paintings on the upper floor of the gallery. On
SIGURÐUR GUÐJÓNSSON nominated for Icelandic Art Prize
SIGURÐUR GUÐJÓNSSON has been nominated as for this year’s Icelandic Art Prize, for his show ‘Inlight‘. This will be the first time the award is given, The Icelandic Visual Arts Council is the founder of the prize, who’s aim is to honour and promote outstanding Icelandic contemporary art and encourage new artistic forms and creation. The
Steina and Woody Vasulka at Pori Museum from 23 March 2018 – 2 September 2018
At Pori Museum, Steina and Woody Vasulka’s analogue videos and experiments with lens-based media and digital processors from the early seventies to the late nineties will be shown in the exhibition STEINA AND WOODY VASULKA: ART OF MEMORY. The Vasulkas’ methods anticipated the virtual modes of image-making that are dominant today. Steina (born 1940, Reykjavík)