BERG Contemporary featured by Whitehot magazine and Artsy
BERG Contemporary has been actively taking part in Miami Art week at Untitled, Miami Beach, over the past days and is pleased to be featured by Whitehot Magazine and Artsy in relation to the fair.
As written by Artsy;
„For its fifth edition, UNTITLED returns to its perch on the sandy shores of South Beach with a tightly curated presentation organized by the fair’s artistic director, Omar López-Chahoud, along with curators Christophe Boutin and Melanie Scarciglia. True to form, the light-filled tent will teem with roomy booths from an international group of galleries and nonprofits hailing from some 20 countries, all bringing primarily new work by a diverse range of artists, including pioneers of the avant-garde and on-the-rise MFA grads.
We have our eye on Reykjavík gallery BERG Contemporary and their booth devoted to 1970s glitch-video innovators Steina and Woody Vasulka—in particular, their influential 1974 video Noisefields, a copy of which is also housed in MoMA’s collection.“
To read the full coverage, click here and here.
Woody Vasulka, Waveform Studies XXVIII, 1977-2003 at Untitled.
In other news
Dodda Maggý and BERG Contemporary release album
On the occasion of Dodda Maggý’s exhibition, VARIATONS, BERG Contemporary is releasing a vinyl record with the work C series. The album is signed and numbered, in edition of 30. C series is about the working process of a composing method that Dodda Maggý created for the piece, as she was mostly interested in creating
The Sound and Video Works of Dodda Maggý at ARoS Art Museum
ARoS Art Museum in Denmark has opened The Sound and Video Works of Dodda Maggý, which features nine works by the artist. The exhibition is the ninth in the series of ARoS FOCUS // NEW NORDIC, focusing on up-and-coming Scandinavian artists. In connection with the exhibition at ARoS, DODDA MAGGÝ will receive the Young Talent Award, a grant made
Inlight – Sigurður Guðjónsson’s solo exhibition at the former St. Joseph’s Hospital
On 23rd of September at 3 pm, Sigurður Guðjónsson’s solo exhibition, INLIGHT, opens at the chapel and morgue of the former St. Joseph’s Hospital in Hafnarfjörður, Iceland. For the exhibition Guðjónsson was selected from a large number of artists by ASÍ (Icelandic Confederation of Labour) Arts Council and has especially for this occasion created three new