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Sigurður Guðjónsson at Reykjavík Arts Festival

SIGURÐUR GUÐJÓNSSON will be screening his 2013 video work Balance at this year’s Reykjavík Arts Festival. The exhibition No Man’s Land: Where beauty alone reigns? examines the degree to which the Icelandic people value nature and their connection to the country‘s wilderness. It features the works of Icelandic artists from different times, from the early Icelandic painters, for whom the country and its wilderness symbolized freedom and independence, to the works of contemporary artists that reference the global discourse on the value of the unspoilt and the utilisation of resources. The exhibition is two-fold; the historic part is exhibited in Kjarvalsstaðir while the work of 21st century artists is shown in Hafnarhús by the harbour. For more information see the website of Reykjavík Arts Festival.


In other news

Recorder chosen for Loop Barcelona Critics’ Pick

Recorder (2010) by Sigurður Guðjónsson was recently chosen as one of blinkvideo’s Critics’ Pick of Loop Barcelona 2018. The critics Nicole Büsing and Heiko Klaas included Recorder in their selection of the highlights of the art fair which took place in November of last year. „The video work “Recorder”, created in 2010 by the Icelandic artist Sigurður

Violin Power by Steina exhibited in Hafnarborg

Violin Power (1969-1978) one of Steina’s key works, will be exhibited in Hafnarborg – the Hafnarfjörður Centre of Culture at the exhibition Phonemes – Exhibiting Music which opens tomorrow, Saturday January 26th at 3 pm. „The exhibition highlights music and art, which augments our perception, as well as affecting our listening and altering our relation to sound in

Finnbogi Pétursson opens Infra-Supra in Western Gallery

The exhibition Infra-Supra by Finnbogi Pétursson opens today in Western Gallery, WA. The exhibition consists of Finnbogi Pétursson’s large scale sound-modulated water installation Infra-Supra which has been exhibited in various formats in different venues over the past few years including Wood Street Galleries in Pittsburgh (2014) and Art Wuzhen in Wuchen, China (2016). „In Infra-Supra, Finnbogi Pétursson uses